ArchivesSpace at the University of Iowa

The exhibition space was a water-closet. -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamp reads as follows: According to Man Ray Lydie became so annoyed by Duchamps stayng up very late to study chess problems that one night after he had finally gone to sleep she got up and glued the chess pieces to the board.The card states that Duchamp married Lydia Levasso on June 7, 1927 and divorced on January 25,1928. -- Source of annotation: Marvin or Ruth Sackner.

The rubberstamp reads as follows: According to Man Ray Lydie became so annoyed by Duchamps stayng up very late to study chess problems that one night after he had finally gone to sleep she got up and glued the chess pieces to the board.The card states that Duchamp married Lydia Levasso on June 7, 1927 and divorced on January 25,1928. -- Source of annotation: Marvin or Ruth Sackner.

This is a fascicle of the collected essays and correspondence of Hugo Ball. -- Source of annotation: Marvin or Ruth Sackner.

The envelope is stamped "Legal Tender." -- Source of annotation: Marvin or Ruth Sackner.

This card listing art movements and their proponents from 19th century Naturalism to 20th century Conceptual Art. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Williams depicts chicken footprints as name-portraits or paintings of Dada artists. -- Source of annotation: Marvin or Ruth Sackner.

In this book, Williams depicts chicken footprints as name-portraits or paintings of Dada artists. -- Source of annotation: Marvin or Ruth Sackner.

One of the two copies of this book was previously held by the British poet, Andrew Crozier. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Aida Audeh and Stephen C. Foster. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Aida Audeh and Stephen C. Foster. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Aida Audeh and Stephen C. Foster. -- Source of annotation: Marvin or Ruth Sackner.

Here's a little something for you & Ms. Ruth. So far it's an edition of 5. I wanted you to have one for your archive. The boxes are shaped like large books. -- Source of annotation: Marvin or Ruth Sackner.

Richter provides a personal history of Dada and divides the book into chapters based on locales, viz., Zurich, New York, Berlin, Hanover, Cologne, and Paris. He also includes a chapter on Neo-Dada by which he means Pop Art. The appendix provides a chronology of Dada events and dates. This book is a translation of Dada - Kunst und Antikunst (1978 reprint is in Sackner Archive) and is a reprint of the 1966 edition. -- Source of annotation: Marvin or Ruth Sackner.

Richter provides a personal history of Dada and divides the book into chapters based on locales, viz., Zurich, New York, Berlin, Hanover, Cologne, and Paris. He also includes a chapter on Neo-Dada by which he means Pop Art. The appendix provides a chronology of Dada events and dates. This book is a reprint of the 1964 edition of Dada - Kunst und Antikunsnt. -- Source of annotation: Marvin or Ruth Sackner.